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Now if new recipes. Vegan Mac and Cheese

Hello!

Sorry, I know have already been many days that I got no recipes, but I've been busy, but do not worry I'm very focused on animal rights and vegan food, haha \u200b\u200bmy two passions.

thing I loved as a child was eating mac and cheese from the box. I know, not as healthy but it was one of those dishes that were eaten once a month or when my mom was walking hahaha cool. Of course when I did stop eating vegan, and since then I was looking for a recipe for mac and cheese but vegan. On the Internet you can find lots, but almost all use nutritional yeast, and I could not find this ingredient here in Monterrey. But finally I bring a recipe that does not use that ingrediente.Esta recipe is very simple as it may seem that brings many ingredients. I would not say he knows exactly cheese but tastes delicious.

Ingredients:

1 package of macaroni pasta (250 grams)

1 carrot, chopped very small
1 potato, chopped very small
1 / 2 onion,

chopped 1 cup water

1 / 4 cup nuts of India

1 / 3 cup margarine

1 / 4 teaspoon garlic 1 teaspoon

Dijon mustard 1 teaspoon salt

juice of 1 lemon

1 / 2 teaspoon pepper

1 teaspoon turmeric (optional)

1 / 2 block silken tofu (optional)

Cook pasta as usual.

In another skillet add the vegetables (carrot, potato and onion) with little bit oil, after several minutes browning add the cup of water. Cook until potato is tender, about 10 minutes.

In blender add the nuts from india, margarine, tofu (optional), turmeric (optional), garlic, dijon mustard, salt, lemon pepper. Liquefies, it will not be very liquid but try. When the vegetables are ten ready add it to the blender along with water remaining on the pan and blend until no vegetables will be visible, this will give lots of flavor.

When pasta is ready Take off his water and combined with the sauce of cheese. "

can eat well or do even more rich baking the dough.

Turn oven to 160C.

Put the pasta with the sauce of cheese on a plate that can enter the oven. Top with bread crumbs as shown in the image and add oil little bit above. Bake for 20 minutes or until top is golden.

After that you can combine the recipe you want. I like to add mushrooms before baking. You can add soy meat to make it as a hamburger helper, or soy sausage, you can add whatever you want.

is a very filling meal that tastes delicious.

Soon I'll upload the photos as we celebrate "Hug a vegetarian day" to stay tuned.

Thanks!!

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St. Petersburg: Palace Pier / Russia

The section of embankment of Neva river between the bridges of the Palace and the Trinity St. Petersburg called Palace pier. Its formidable granite piers, over 2 km, ranging from the Senate building, located in the west to the Summer Palace of Peter the Great, to the east. The surrounding area consists of magnificent aristocratic palaces and canals lined with beautiful bridges.
The area around St. Isaac's Square ( already discussed in the blog ), with the homonymous church, the needle of the Admiralty, the Decembrists Square and the statue of Peter the Great ('The Bronze Horseman ") is a unique architectural space. In the Palace Square is located the Winter Palace by Rastrelli (part of the Hermitage), which evokes the opulence of Imperial Russia, on the contrary, in the Champ de Mars, the Eternal Flame is a memory of revolutionary sacrifice.
the side of the Neva is the main entrance to the Winter Palace and, in turn, is one of the entrances to the Museum of Fine Arts, the nation's largest, the Hermitage. The Small Hermitage, next door to the Winter Palace, was built in 1765-1769 to save collections of art. The Great (Old) Hermitage is interesting for its long facade (Yuri Velten, 1770-1787). After the small Winter Canal is the Hermitage Theatre, a project of Giacomo Quarenghi (1783-1787) and Summer Gardens.

»Buildings and places of interest:
" The Hermitage (Ermitazh) [official website ]: One of the most famous museums in the world, occupying a vast array of buildings. The Winter Palace is the main museum building. It was built between 1754 and 1762 by order of the Empress Isabel on a design by Italian architect Francesco Bartolomeo Rastrelli. Was finished after the death of Elizabeth. It was the official residence of the Tsars of Russia until the monarchy fell after the Russian Revolution in 1917, and occurred inside some of the most important events in Russian history.
Catherine the Great ordered the construction of the architect Vallin de la Mothe a small palace, located near the Winter Palace, which he called the Small Hermitage and take place between 1765 and 1769, with hanging gardens and convenience imaginable. Contains two exhibitions side, and serves as liaison between the Winter Palace and other palaces that are el museo. Pronto el palacio se llenó de objetos, así que Catalina II ordenó a los arquitectos Yuri Velten y Giacomo Quarenghi la construcción de otro edificio, conocido posteriormente como el Viejo Ermitage, construido entre los años 1771 y 1787. Esta parte del museo está conectada con el resto de edificios que vienen a continuación a través de un arco que sortea uno de los canales que desembocan en el Neva, el canal de Invierno.

El Teatro del Ermitage fue ordenado construir por Catalina la Grande entre los años 1783 y 1787 y ejecutado por el arquitecto Giacomo Quarenghi. Se encuentra al otro lado del Canal de Invierno. En la actualidad se siguen representando obras teatrales within the museum's programming. The New Hermitage was the first building constructed specifically to contain Russian art. It was built between 1842 and 1841 by German architect Leo von Klenze. Here is the main entrance of the museum, which consists of a large porch with a few Atlanteans (the sculptor A. Terebéniev). This portal is the official symbol of all the Hermitage.

In late 1990, he joined the General Staff building, where works have been moved from the second half of the nineteenth century.
The Hermitage collection is unique. Currently the gallery has over 3,000,000 works of art. Among the most respected art museums in the world with 2.5 million visitors annually. The ground floor is intended for the culture of primitive peoples, culture and art of ancient and Eastern countries. The main floor showcases the art of Western Europe and the history of Russian culture. Notably, the exhibition grounds are extremely valuable in itself: state halls, galleries, passages, stairs ... On the upper floor are the Department of Western European art, art of the countries of East and Numismatics. The solemn opening of the Imperial Hermitage was held in 1825 [ The Hermitage in Wikipedia ].

"Palace Square (Dvortsovaya ploschad): The Palace Square is part of the architecture of central squares formed by the Palace Square, St. Isaac and the Senate, joined by the Admiralty Avenue . Has played a major role in Russian history. It was the scene of Magno military parades in the Tsarist era, the so-called Bloody Sunday in 1905 or the assault on the Winter Palace by Lenin's Bolsheviks on November 7, 1917.
Between 1754-1762, with draft Bartolomeo Rastrelli, was built in the new Winter Palace, the baroque style, a style that went out of fashion while took the building. Between 1770 and 1780, along the southern boundary of the square of the palace, many buildings were erected under Yuri Velten projects. In the early nineteenth century (reign of Emperor Alexander I) Carlo Rossi rebuilt these buildings, which marked an important stage in the management of the square when he made the magnificent central administration building, the General Staff of the Russian army (1819 to 1829 .) Rossi is a composition of unusual size. The window level and building height (22 meters) coincide with the Winter Palace. The core of the buildings is also the same. Greater attention was conferred the center of the composition: the Arc de Triomphe that connects the square with the Nevsky. Corona arc the 'Cart Victoria' (1829), drawn by six prancing horses, the work of sculptors Stepan Pimenov and Vasily Demuth-Malinovsky). It stands on the eastern side of this unique architectural Headquarters Guard, built entte 1837 and 1843 by Alexander Briullov. The Admiralty closes the Western Front.
In the center of the square is the Alexander Column . This column, the largest monolith in the world, was executed in 1830-1834 with draft Auguste de Montferrand. The monument, like the bow of Staff, was dedicated to Czar Alexander I and the victories in the war with Napoleon (1812-1814). The imposing marble monolith of 25.6 m in height weighs 600 tons. The total height of the monument is of 47.5 m. Column tops the bronze figure of an angel with a cross that crushes a serpent (a symbol of triumph of good over evil), sculptor B. Orlovsky. The angel's face is like the portraits of Alexander I. On the pedestal an inscription says: "A Russian Alexander grateful." The pedestal is decorated with bronze reliefs.

"Campo de Marte (Maršov Pole): Emerged in place a swamp drained in the first half of the eighteenth century, the Champ de Mars was named after the god of war Mars, as there were often held military parades. On March 23, 1917 in the Champ de Mars were buried 184 soldiers and workers killed in the days of the February Revolution. The "Memorial to fighters of the revolution" (1917-1919), granite, designed by Lev Rudnev, and 'Eternal Flame' (1957) symbolize the memory of the victims of the 1917 revolution and civil war. In 1920 he started the garden path.
The imposing neoclassical building on the western side of the square was built by Vasili Stasov between 1817 and 1819.'s headquarters were previously Pavlovski Guard, founded by Tsar Paul I in 1796. The officers of this room were the first who fought the tsarist government in the revolution of 1917.
"Summer Palace (Letný Dvorets): This modest two-storey building made as a private palace of Peter the Great was constructed between 1710 and 1712 by the most famous architect of St. Petersburg, Domenico Trezzini. The mansion, built in the delightful summer garden, contains just 14 rooms and was the summer residence of the Tsar and his family from 1712 until his death in 1725. Its facade is simple and has only a few depictions of mythological subjects in relief. Unlike of the ancient palaces of XVII century, has a high ceiling and large windows, allowing natural light into the interior. Its design is known as "Dutch construction." Each floor of the palace consists of seven rooms. Peter the Great lay on the ground floor of the palace while his wife preferred the upper floor. The original rooms were decorated with oak paneling, paintings, engravings, paintings and artifacts beautiful stoves period, many of whom belonged to Tsar Peter himself. Although many of the interiors of the palace were redesigned in the eighteenth and nineteenth centuries, they would all be meticulously restored to its original form shortly after the end of the Second World War.

The palace is located on the banks of the Fontanka River, which empties into the mighty Neva River. During the time of Peter the Great, a small port was built next to the entrance of the palace, which allows the Tsar to navigate to the door of his residence and enjoy the large park nearby.
"Summer Garden (Letníy Sad): These gardens, the first of the city, took place in 1704 when Peter I began to plant more trees and flowers, and marble statues brought some 250 statues century Italian XVII and XVIII. In 1707 the works were finished with the installation of fountains, completing a garden regular, geometric design, the French style of Versailles, with roads of elms and oaks and pavilions.
The flood of 1777 destroyed almost all the summer garden, which was reestructuradoi English style, following the more sober tastes of Catherine the Great. The splendid filigree iron railings (1771-1784) facing the Neva embankment, created by Yuri Velten and Piotr Yegorov. In the nineteenth century, Nicholas I opened the gardens to the people and created two neoclassical pavilions, the home of tea and coffee house in the area facing the Fontanka. Stresses the bronze statue of Ivan Krylov, the most famous writer of fables from Russia, held in 1854 by Pyotr Klodt.

"Marble Palace (Mramornyy Dvorets) (Milionnaya Ulitsa 5): The building was commissioned by Empress Catherine the Great for his favorite, Count Grigory Orlov. The palace was designed and built between 1768 and 1785 by Italian architect Antonio Rinaldi. Solid and stern-looking, was rich and expensively decorated with 32 different types of marble. Alexander Briullov redecorated most of the interiors in the 1840's, although the step Gala and Marble Hall are original Rinaldi. On the roof of the latter is preserved a painting of Stefano Torelli (early 1780), entitled 'The Triumph of Venus. " When Count Orlov died in 1783, the palace was given to the last Polish king Stanislaw Ponjatovsky, who was then living permanently in St. Petersburg. After his death, the palace became the official residence of dukes and prominent members of the royal family of Russia.
The palace, where he remained for 55 years, the Lenin Museum, now a unit of the Russian Museum. Are works of foreign artists and modern art donated by the German collector Peter and Irene Ludwig. The collection includes a Picasso ('Big Heads', 1969) and works by artists such as Jean-Michel Basquiat, Andy Warhol, Ilya Kabakov and Roy Lichtenstein.
front of the palace stands a curious statue of Alexander III by the Prince Pavel Trubetskoy was originally Ploschad Vosstaniyya since 1911 and moved here in 1937 using its massive pedestal to create sculptures of the new heroes like Lenin.

"" Bibliography: 'St. Petersburg' (Visual Guides El País Aguilar).
»Links: " St. Petersburg Guide »St. Petersburg Hotels Guide» Wonders of St. Petersburg (Blog) » historic St. Petersburg» St. Petersburg Travel Magazine

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A train trip from Lyon to Dijon

The eastern part of France has two interesting towns, Lyon and Dijon, and analyzed in this blog. The train journey between Lyon and Dijon, lasting two hours in B and passes through Sud-Est line, is a fantastic route to see beautiful scenery and cross the Rhone Valley and Burgundy a wide area, with large wine regions such as Beaujolais or Côte d'Or. It passes through interesting sites like Mâcon, Tournus and Beaune.
This blog entry focuses on those regions and localities intermediate between Lyon and Dijon and deserve a leisurely visit.

" " The region of Beaujolais: lying south of Burgundy and north of Lyon. Covers part of northern French department of the Rhone (Rhone-Alpes) and parts of the southern department of Saone et Loire (Burgundy). Beaujolais (Biôjolês in Arpitan) was the name of one of the historical provinces of France and is named after Castle Beaujeu.La Beaujolais was first cultivated by the Romans who planted vines along areas of the trade route up the Saône valley. The most prominent was Brulliacus Roman vineyard on the slopes of Mont Brouilly. The Romans also planted vineyards in the area of \u200b\u200bMorgon. From the seventh century and throughout the Middle Ages, most of viticulture and winemaking was done by the Benedictine monks. In the tenth century, the region got its name from the town of Beaujeu and was ruled by the Lords of Beaujeu. Beaujolais wines from the grapes 'Gamay', which first appeared in the village of Gamay, south of Beaune, circa 1360.
The region is known internationally for its long tradition of wine, and more recently by the popular Beaujolais Nouveau, a young wine whose famous festival takes place the third Thursday of November.
»Links: Beaujolais (Wikipedia)

" »Villefranche-sur-Saône: is the capital of Beaujolais. The Department is located in the Rhône and the Rhône-Alpes region. It was founded in 1212 by Guichard IV, Count of Beaujeu (Bôjor / Biojó) and became the fourteenth century in the capital of the province of Beaujolais (Biôjolês). The villa was surrounded by ramparts. It was the scene of three sieges in the XV and XVI. The city walls were demolished in the early nineteenth century.
»Links: Villefranche " Villefranche (Tourist Office)
" " Mâcon: On the border between Burgundy and the south, Macon is an industrial city and a wine center of the Saône located in the department of Saône-et-Loire.
Matisco Mâcon is the former, which only existed in the sixth century a fortified semi demolished as a result of the invasion. Childebert, returning from an expedition to the Iberian peninsula, deposited at the site of the relics of St. Vincent, which had taken in Zaragoza, for he sent to erect a basilica that was later the first cathedral of Mâcon. In the Middle Ages was initially the domain of the local bishop and then a county center under the duchy of Burgundy. It was the southern end of the duchy, bordering the Bresse, Savoy controlled. In 1228 it was sold to the French crown and was part of the dowry of Micaela de France, daughter of Charles VII. In the sixteenth century Protestant headquarters in Burgundy, as it would bring the vengeance of William of Saint-Point. During the French Revolution there was a strong anti-clericalism, destroying 14 churches, which explains the lack of them in the locality, besides removing the diocese, which became the bishop of Autun hold. In 1789, Macon was built capital of the department. During the Second World War, Macon was the first city in unoccupied territory between Paris and Lyon.

A seventeenth-century convent has been converted into the Musée des Ursulines (Allée de Matisco). Its collections include paintings by French and Flemish works of the sixteenth to twentieth centuries, archaeological and ethnographic collections and an exhibition on prehistoric site Solutré. In the charming Place aux Herbes, which hosts the market, is the Maison de Bois , a wooden deck XV century relieves.En the heart of the city, Seneca Mansion in Regency style, the museum contains Lamartine, poet and politician (1790-1869). The ancient Saint-Vincent Cathedral, built during the reign of Napoleon I, has two towers are the only remnants of the original building.
Other points of interest are the City of the eighteenth century, the church of Saint-Pierre, built in the nineteenth century, the Residence Soufflot, the Pont Saint-Laurent, built in the eleventh century and the Hôtel-Dieu with its dome.
»Links: Tourisme Mâcon" Mâcon (Wikipedia)

»Tournus: Located in the southeast of Burgundy, this wonderful city on the River Saône has a lot of old buildings, narrow streets, antique shops, cafes and restaurants. Tournus is one of the oldest monastic centers of Burgundy with a magnificent abbey, St-Philibert , ranked as one of the best examples of Romanesque architecture.
The Abbey of St-Philibert was founded by a group of monks who were expelled from Noirmoutier island by the Norman invasion in the ninth century and took the relics of its patron, Saint Philibert. After a fire, the abbot Bernier (1008-1028) was out the reconstruction of the abbey church, whose work will continue during the XI century and early twelfth century. Well fortified, is in stone pale pink, and white with a black roof, erected between 1107 and 1120. It has a magnificent crypt, while stressing the choir and nave.
The Hôtel-Dieu seventeenth century preserves the original rooms with furniture and pharmacy shelves. Tambiénb houses the Musée Greuze dedicated to Tournus most famous son, the painter Jean-Baptiste Greuze (1725-1805). In the Place de l'Hôtel de Ville is a statue in his honor.
»Links: Communes of Tournugeois

»Chalon-sur-Saône: Located on the river Saône, and part of Burgundy, was once a river port as the basis for the distribution of local wines by the river . Chalon
is known as the birthplace of photography. The most famous French photographer of all time, Pierre Tremaux, was born in Charrecey, a village belonging to Chalon-sur-Saône. Its most famous resident, Nicephore Niepce also has a lycée (high school) that bears his name. There is a museum containing some old photographic relics, the Quai des Messageries, and consists of more than two million photographs and many old artefacts such as cameras and other equipment for antique and modern photography. Another famous resident is Dominique Vivant Denon (1747-1825) who participated in the creation of the Louvre Museum, making the palace into a museum after the French Revolution.
The center of Chalon-sur-Saône allows a pleasant stroll, shop or visit the Cathedral Saint-Vincent (Place Saint-Vincent), which has some elements dating from the eighth century and nineteenth-century neoclassical facade.
»Links: Chalon-sur-Saone " Chalon-sur-Saone (Wikipedia)

»Beaune: prestigious and artistic enclave and fortified wine from 1368, Beaune was the capital of Burgundy before Dijon. This time retains its walls, old houses and the famous Hospices and the Hôtel-Dieu, its undeniable treasure, with a gorgeous glazed tile roof.
The old town of Beaune is easy to navigate on foot. The Hôtel des Ducs de Bourgogne, built between the XIV and XVI centuries, now houses the Musée du Vin de Bourgogne (Rue d'Enfer). The building, with its flamboyant façade, is as interesting as the traditional wine presentation tool it contains.
Further north stands the Notre-Dame Collegiate , started at the beginning of the twelfth century. Within this predominantly Romanesque church with Gothic elements, hanging five beautiful wool and silk tapestry of sigflo XV. With some features of the early Renaissance, illustrating the life of the Virgin in 19 scenes.
After the Hundred Years War, many of the inhabitants of Beaune suffered from poverty and hunger. To alleviate this, the chancellor Nicolas Rolin and his wife Guigon, founded and remained here a hospice in 1443 (the Hôtel-Dieu ) (Rue de l'Hôtel-Dieu) inspired by the architecture of the hospitals in North France. Today, hospice is considered a medieval gem, with its splendid Burgundian roof tiles with multicolored geometric designs. Contains two masterpieces of sacred art: the statue of 'Christde-Pitié', carved in wood, and polyptych the 'Last Judgement' by Rogier van der Weyden. His nude figures of the fifteenth century were covered during the nineteenth century at the same time, the altarpiece was cut in two so that internal and external panels could be seen together. Also noteworthy is the Cour d'Honneur, the magnificent central courtyard, flanked by a gallery of wood on which rise high dormer windows and topped by vanes. The well of the courtyard is a beautiful example of iron Gothic wrought. The interior is completed by the Grand Chamber of the Poor, with a carved and painted ceiling and 28 beds with four columns, often used by several patients at once Hugues Saint-room, containing a holy healing table two children and frescoes of Isaac Moillon illustrating the miracles of Christ, Saint Anne's room with a picture of nuns working in the laundry room and a colorful tapestry room Saint Louis, kitchens, with a Gothic fireplace, and pharmacy .
Each year the wine charity auction of the Hospices is quite an event as popular as wine. Held the third Sunday in November and is the center of attraction for the three days holiday known as' Les Trois Glorieuses. "
»Links: Beaune (Office de Tourisme) " Beaune (Wikipedia, English)
»Côte d'Or: In wine terms, the Côte d'Or include the Costa de Beaune and the Côte de Nuits, in an unbroken succession of vineyards from Dijon to Santenay. Situated between the plain of the Saone to the southeast and a craggy mountain plateau to the northwest, this narrow escarpment is about 50 km wide. The grape of the great Burgundian vineyard grows in gold and red soil of the slope.
The classification of soil characteristics is very technical and elaborate, but a general rule may be that 95% of the best vines grow on the high side of the N74 road. The names of actual road signs populate the best brands of local wines: Gevrey-Chambertin, Vougeot, Chambolle-Musigny, Vosne-Romanée, Nuits St-George, Aloxe-Corton, Meursault and Chassagne Montrachet.
"" Bibliography: »France (Visual Guides El País Aguilar)


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Nuremberg (Germany)

Nuremberg (Nürnberg) ('nourenberg "means" rocky hill ") is the second largest city in Bavaria. Situated on the banks of the Pegnitz and a special medieval atmosphere , is surrounded by walls dating from the fifteenth century with a total of eighty towers. Nuremberg was first mentioned in an official document of the year 1050 and received the privileges of a free city in 1219 Holy Roman Emperor Frederick I. In the fifteenth and sixteenth centuries the city reached the peak of his power and was a commercial and cultural center of Franconia. Attracted numerous artists, artisans and intellectuals as Albrecht Dürer (1471-1528, painter), Peter Henlein (1485-1542, inventor of the pocket watch, the so-called Nürnberger Ei), Veit Stoss (1445-1533, sculptor, painter, engraver and copper), Hans Sachs (1494 -1576, poet) and others.
in the past was a major publisher. In 1493 was released here the 'Liber Cronicarum "of Schedel, and in 1543, following the adoption of the Reformation in 1525,' On the Revolutions of the heavenly bodies' of Copernicus. The Thirty Years War halted development of the city, but in the nineteenth century became the focus of Pangerman movement.
But the history of the city was also sadly marked by the trials of Nazi soldiers in 1945-1946. Nuremberg The Nazis used as a meeting place for their distinctive German. At the end of World War II the old town was destroyed by bombing almost entirely. Reconstruction based on historical maps was completed in 1966.
Nuremberg is also famous for its sausages, gingerbread, the Nürnberger Lebkuchen (cookies with spices) and their "Christkindlesmarkt."

St Lorenz-Kirche (Nürnberg)

»Buildings and places of interest:

" "Lorenzer Seite:

The area south of the old city, known as Lorenzo Seite , is separated from the north by the river Pegnitz and bounded to the south by the city walls. Many of the area's historic buildings were rebuilt after severe damage during World War II.
"Frauentor (Frauentorgraben): Frauentor, one of the most attractive doors of the old city, is linked to the imposing city walls, which were built in the XV and XVI. The vast Dicker Turm was erected not far from here in the fifteenth century. The Königstor, the majestic door lift up others the right of the Dicker Turm, was dismantled in the nineteenth century. The Frauentor leads to a series of alleys with half-timbered houses. shops and cafes built after the war.
"Marthakirche (Königstrasse 74-78): The small church of Santa Marta Hospital (fourteenth century) is cloistered between the neighboring houses. Although the interior has little ornamentation, preserves a magnificent Gothic stained glass windows dating from around 1390.
"Mauthalle (Hallplatz 2): The gigantic gothic barn dominating Königstrasse was erected in 1498-1502 by Hans Beheim the Elder. Originally housed the local scales and the customs office. In the nineteenth century the building was transformed into a shopping center that was rebuilt after the war.
"Germanisches Nationalmuseum (Kartäusergasse 1) [official website ]: The Germanic National Museum was founded in 1852 by a Franconian nobleman named Hans von Aufseß, settling a century old monastery XV. Is the main museum in Germany and contains the largest collection of Germanic art and culture in a period spanning from prehistory until the twentieth century. Among his important works include the Codex Aureus, also known as the Gospel of Echternach and elaborate gold in Trier in the eleventh century, paintings of Albrecht Dürer (notably his work 'Portrait of Michel Wolgemut' of 1516) and Lucas Cranach the Elder, sculptures Ferdinand Dietz and works by Konrad Witz, Hans Baldung Grien, Adolf Aldorfer or Tilman Riemenschneider. It has a collection of more than one million objects from every period of German history as the globe, and a library with a file containing many original documents in the history of the city.

Heilig-Geist-Spital (Nürnberg)

"Lorenz-Kirche St (Lorenzerplatz 10): The Gothic church of San Lorenzo began to be built in 1270 and its completion ended in 1477 when added the vast sanctuary. The most important building in Nuremberg is a good example of 'Hallenkirche' typical German Gothic church with three aisles at the same height. It highlights the famous group of sculptures 'Annunciation' (Engelsgruss) of Veit Stoss (1519), made of wood and suspended from the ceiling over the altar, the crucifix on the altar and the magnificent statue del arcángel MIguel, ambos también de Stoss; las magníficas vidrieras del siglo XV (1493-1495), obra de Adam Kraft; y el reloj solar realizado por Johannes Stabius. Posee un interior fino, espacioso y muy luminoso y su belleza exterior es admirable, con un pórtico principal admirable.
» Heilig-Geist-Spital (Spitalgasse 16) [ Web oficial ]: El Hospital del Espíritu Santo fue construido entre 1332 y 1339 a orillas del río Pegnitz, y se cuenta entre los hospitales medievales más grandes. Posee un precioso patio interior con galerías de madera. El ala que vadea el río se erigió durante las obras de ampliación realizadas en 1448-1527. Los leprosos acogidos in the hospital occupied a building with half-timbered walls that was built especially for them. Between 1424 and 1796 were kept here the insignia of the Holy Roman Empire, rather than in the castle. It now houses a nursing home and a restaurant.

and Hauptmark Schöner Brunnen (Nürnberg)

" " north of the old city (Sebaldus Seite)

"Hauptmarkt : The main market provides a picturesque setting to the famous Christkindlesmarkt, which is held every year in Advent. In this market you can taste famous gingerbread, the typical German sausages and red wine spiced with cloves, or locally produced souvenirs. Stresses the
Schöner Brunnen (Beautiful Fountain) Gothic church was erected between 1389 and 1396 by the builder and mason Heinrich Beheim and replaced in 1902 by a replica made by Albert Leipold. The source consists of a beautifully carved needle 19 m in height rising above the center of an octagonal. The latter is surrounded by a fence that houses the famous Renaissance gold ring. Legend has it that those who make a wish while turning the ring three times is true. The battery is ornamented with statues of philosophers, evangelists and church fathers, and the needle, with statues of heroes of Voters and Jews and Christians. The guardrail around the fountain basin was forged in 1587 by Paulus Kühn of Augsburg sculptor. In the Germanisches Nationalmuseum provide elements of the original source.
" Frauenkirche (Hauptmarkt 14): Church of Our Lady (Frauenkirche) was built between 1352-1358 by order of Emperor Charles IV, who made up the temple floor lounge where was formerly a Jewish synagogue. It is a late Gothic building with square. On the porch is the chorus of San Miguel de Adam Kraft with a clock (called Männleinlaufen) dating from 1509 dominates the facade. Every day at 12 am, you can see the famous procession of Electors paying homage from a window of the main facade to the Emperor Charles IV. Also noteworthy is the Gothic altar (Tucher Altar), 1445.

Rathaus (Nuremberg)

" Rathaus (Rathausplatz 2): The construction of the Nuremberg Old Town Hall spanned three centuries. In the fourteenth century stone was laid in the sixteenth century became a full expansion and it was not until the seventeenth century when it was added to Rathausplatz facade in Renaissance style by Jakob Wolf between 1616 and 1622. After the severe damage suffered during the Second World War had to be newly remodeled. The council has a beautiful facade with Gothic parts and parts belonging to the High Renaissance. Inside you can visit several venues, most notably the old medieval prison, kept in perfect condition, with twelve cells in which usually remained two prisoners each, and the chilling torture chamber that allows to know the harsh judicial customs of the Middle Ages. Outside City Hall you can see the popular Gänsemännchenbrunnen source ('Man of the geese'), built in 1557 with design of the artist Hans Peiss and cast in bronze by Pankraz Labenwolf.
"Spielzeugmuseum (Karlstrasse 13-15): Nuremberg is considered one of the great capitals of the toy, and true to its popularity offers the possibility to visit the Spielzeugmuseum (Toy Museum), one of the most impressive museums in Europe with an extensive collection and great quality in each of the exhibits in it. It was opened in 1974 and offers collections of all ages and ethnicities, on all of the last two years. It is possible to find models of rail, board horses, all sorts of paper toys, the extensive "world of tin" and an extensive collection of dolls and accessories.

Sebaldus St-Kirche (Nürnberg)

"Kirche St-Sebaldus (Albrecht-Dürer Platz 1) [official website ]: Built in 1273, St. Sebald Church is the oldest of Nuremberg and is an excellent example of transition from Romanesque to Gothic styles German. It was built in 1230-1273 as a Romanesque basilica with two choirs. During the XIV century reforms added two aisles and a very high western choir. The Gothic towers were completed in the late fifteenth century. During the Second World War was seriously destroyed and was rebuilt in its entirety.
emphasize its excellent stained glass windows and impressive works of art that can be seen inside, as the 'Crucifixion' of the main altar (1520), the statue of Saint Andrew (1505) of the ambulatory and the 'Passion of Volckamersche' (1499 ), all of the sculptor Veit Stoss, or the tomb of St. Sebald of Peter Vischer the Elder, located in the center of the sanctuary. Are remarkable also the wonderful Gothic font and the epitaph of the Tucher family, the work of Hans von Kulmbach (1513).
"Egidienkirche (Egidienplatz 37): The church of San Egidio is the only baroque church is now housed in Nuremberg. The facade, built after a fire in 1696, hides a building full of Romanesque and Gothic elements of the former Benedictine church. The oldest chapels, as Euchariuskapalle (Romanesque), the Tetzelkapellethe (1345) and Wolfgangkapelle (late Gothic) belong to the original construction and have survived until today.
"Albrecht Dürer Haus (Albrecht-Dürer-Strasse 39): This house was inhabited by Albrecht Dürer from 1509 until his death in 1528, the most famous artist of the German Renaissance, which represented the renewal of cultural territory outside of Italy. The 'prodigal son' of Nuremberg left 90 paintings, 130 prints and hundreds of woodcuts and drawings. The house has been open to the public since 1871 and today is transformed into veritable museum of his work, where you can learn how the artists lived and worked at the time. In the square stands the monument to Albrecht Dürer, while his grave is in the cemetery of St. Johannis-Friedhof.
almost opposite the house of Durer, and below the fort, is the Pilatushaus , The home of Pilatus. It is one of few buildings of stone and wood lattice, which survived the destruction of the Second World War in this area of \u200b\u200bOld Town.

Kaiserburg (Nürnberg)

"Kaiserburg (Auf der Burg 13): The Imperial Castle (Kaiserburg) is the emblem of Nuremberg, standing in a magical way between the old city and be among the most important imperial palaces of the Middle Ages. Its elevated position offers breathtaking views of the city. Emperors resided here all of the Holy Roman Empire from the years 1050 until 1571. It is currently open to the public the main building with Romanesque double chapel (the best preserved), the rooms of the emperors, the deep well (Tiefer Brunnen) and one of the towers, Sinwellturm XII century.
La Fortaleza Real (Burg) of Nuremberg is composed of three sections: the Imperial Castle mentioned (Kaiserburg), some buildings Burgraves Nürnberg (Burggrafenburg), with Free Reich's buildings to the east and the municipal buildings of the City Imperial in the west (Reichsstädtische Bauten). Burgstrasse climbing leads to the Fünfeckturm (Pentagonal Tower), dating from 1040, and is building more old city and a legacy of the castle of Von burgraves Zollern. At his feet is the Kaiserstallung (stables of the Emperor), which now houses a youth hostel.
"Documentationszentrum Reichsparteitagsgelände (Bayernstr 110): The vast complex unfinished buildings in the area south of the city dates from the Nazi era. Its construction began in 1933 to house the National Socialist Party concentrations. The building houses an exhibition and a historical archive.
"Palais Zeltner (Gleishammer 6): Zeltner Palace was built during the fourteenth century. Its current name is that in the nineteenth century was bought by a well known manufacturer overseas call Johannes Zeltner. Earlier, during the fifteenth century, was owned by one of the best-known businessmen in Nuremberg, Herdegen Valzner. Highlights its beautiful facade, accompanied by beautiful surroundings, beautiful gardens and ponds.
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