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Potsdam: Park Sanssouci / Germany

Park Sanssouci (Potsdam)

The extensive Park Sanssouci Potsdam (287 acres, 2 miles west of downtown) is one of the most beautiful palace complexes in Europe. The first building site was Schloss Sanssouci. In 1744 King Frederick the Great ordered the construction of a residence here, where he could live 'sans souci' ('no worries' in French which was spoken in the court.) It was built on the terraces of a vineyard by Georg Wenzeslaus of Knobelsdorff following the ideas and drawings of the king. This building is one of the most important works of German rococo architecture and houses, among other masterpieces by Watteau, Panini and Pesne.
Over time, the park was expanded considerably and were added to other palaces and pavilions, as the New Palace, the Orangery or the palace Charlottenhof.
»Buildings and places of interest:
" Schloss Sanssouci (Historisches Zur Mühle): The rococo palace was built between 1745 and 1747 by Georg Wenzeslaus of Knobelsdorff from some sketches of the same , Frederick II of Prussia. Knobelsdorff and Johann August Nahl, meanwhile, designed the interior. Jann Boumann, a Dutch architect, completed the project. 'Sanssouci' ('no preopcupaciones') was the appropriate name for a castle of such charm.
During the nineteenth century the palace became one of the residence of Frederick William IV of Prussia. It hired the architect Ludwig Persius to restore and expand the palace, and Ferdinand von Arnim to improve the city and in this way, the views from the palace. The Damenflügel, the west wing was added in 1840 to accommodate the ladies and gentlemen of the court. The Schlossküche (from the castle) can also be visited. In 1990, UNESCO declared the palace and gardens heritage of mankind [ Learn more at Wikipedia ].

Schloss Sanssouci (Potsdam)

"Neue Schloss Kammern (Historisches Zur Mühle, Lustgarten): The Neue Kammern (new units) Schloss Sanssouci bordering the west and to the east side Bildergalerie . The structure was built in 1747 as a greenhouse from a design by Georg Wenzeslaus of Knobelsdorff. The building, elegant Baroque style, has a nice roof, overhanging eaves. In 1777 was transformed into a guest house by order of Frederick the Great. Unger GC respected architect almost the entire exterior of the building and ordered units and four sumptuous elegant lounges inside. Rococo decoration, similar to other buildings and pavilions of Sanssouci, has remained.

Orangerie Schloss (Potsdam)

'Orangerie Schloss (Maulbeerallee, Nordisher Garten), the former royal palace for foreign guests. Italian Renaissance style and surmounted by a colonnade, the Orangerie was built for King between 1852 and 1860 by Friedrich August Stüler, and the final draft was based in part on levels of Ludwig Persius. Is inspired by the Sala Regia of the Vatican, and the rooms are grouped around Rafael room, wear replicas of works of the great Italian master. Hosted Tsar Nicholas and his wife, sister of Frederick William IV.
"Neues Palais (Am Neuen Palais): The imposing baroque structure located on the main avenue of the park is one of the most beautiful palaces in Germany. It was built between 1763 and 1769 to celebrate the end of the Seven Years' War, in which Prussia ended the centuries-old Austrian rule on German affairs. The project was designed by Georg Wenzeslaus of Knobelsdorff in 1750, but the works undertaken by Johann Gottfried Burying, Jean Laurent Geay and Carl von Gontard, had to be postponed until the end of war.
The vast structure with three wings and two plants is much greater than that of Sanssouci, with over 200 rooms and 400 statues as decoration. In the south wing are the offices of king and a small theater. He served as a guest house for many royal visitors.

Charlottenhoff Schloss (Potsdam)

"Schloss Charlottenhof (Geschwister-Scholl-Strasse, Park Charlottenhoff): This neo-classical palace is located in the southern end of Park Sanssouci, known as Park Charlottenhoff, and which owes its name to Charlotte von Gentzkow, former owner of the land on which the palace was built. The small one-story building was built in 1826-1829 in the style of a Roman villa for the heir to the throne, the future King Frederick William IV, by Karl Friedrich Schinkel. Some of the Pompeian-style frescoes on the walls are still standing. In addition, a collection of Italian engravings. Inside the room stands Humboldt. The adjoining garden care was designed by Peter Joseph Lenne.
"Chinesisches Teehaus (Ökonomiewig, Reshgarten): The China Tea House is a pavilion built in XVIII century style Chinese, in the fashion of the time. It was built between 1754 and 1756 from a design by Johann Gottfried Burying. The pavilion has a circular with a central main hall surrounded by three studies. Surrounding the flag golden ornaments such as columns and Chinese figures. Originally a tea room and dining, but today houses a collection of eighteenth century porcelain.

Römische Bäder (Potsdam)

"Römische Bäder (Lenne-Strasse, Park Charlottenhoff): Bathrooms Romans built on the shores of the lake by Karl Friedrich Schinkel and Ludwig Persius in 1829-1840, is a complex of buildings including a tea pavilion, a Renaissance-style villa and a Roman-style baths (which takes its name the entire complex). The gardener's house stands beside a small tower with asymmetric, built in the style of an Italian Renaissance villa. Behind, left, lies the old pavilion of temporary exhibitions baths. The pavilions are arranged around a garden.
»Bildergalerie (Historisches Zur Mühle): Located next to Schloss Sanssouci, the Bildergalerie exposed baroque paintings that belonged to Frederick the Great, as "The doubt of St. Thomas 'Caravaggio' and 'Death of Cleopatra' by Guido Reni, and works by Rubens and Van Dyck.
"Other spaces : Close is the Bildergalerie Friedenskirche , Neo-Romantic Church of Peace, inspired by the Basilica of San Clemente in Rome. Communs is an unusual style building, located next to the courtyard of the Neues Palais, which serves to accommodate the staff of the palace. The Lutsgarten (garden of pleasure) is a large park with several gardens near the Orangerie. The Temple of Friendship was built south of the main avenue of the park between 1768 and 1770 by Carl von Gontard in memory of the favorite sister of Frederick the Great, the Margravine Wilhelmina of Bayreuth. The building complements the Old Temple, which is located north of the avenue. The Drachenhaus (Dragon House) was built between 1770 and 1772 in the Chinoiserie style on the northern edge of Sanssouci Park.
"" Bibliography: »Germany (Visual Guides El País Aguilar)» Deutschland (Baedecker, Allianz Reiseführer)
»Links: " Potsdam (Wikipedia) " Potsdam (official website)" Potsdam (of Germany) " Potsdam Tourismus " Potsdam Park Sanssouci (Web official) "Potsdam Sanssouci

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Potsdam (1) / Germany

Glienicke Bridge on the River Havel (Potsdam)

Potsdam, independent city close to Berlin, is also the capital of Brandenburg. The first reference to the city dating from 993, in 1317 would get its charter. The city flourished in the time of the electors and again in the eighteenth century. Potsdam was severely damaged in World War II, especially after the Allied bombing of the night from 14 to 15 April 1945. Potsdam
remains one of the most beautiful cities in Germany. The most popular attractions are Schloss Sanssouci, the majestic royal summer residence, the Neuer Garten (New Garden) in Marmorpalais (Marble Palace) and Cecilienhof, the old, the Russian colony Alexandrowka; the Babelsberg film studios the parks around Schloss Babelsberg.

Nikolaikirche and Fortuna Gate (Potsdam)

»Buildings and places of interest:

" the Old Market Square (Alter Mark ) is the historic center of Potsdam. For three centuries it was the place where it won the City Palace (Stadtschloss), a royal palace built in 1662. Under Frederick the Great, the palace became the winter residence of Prussian kings. The palace was badly damaged during the bombing of 1945 and the Communist authorities demolished it in 1961. In 2002 Fortuna Gate was rebuilt in its original historical position, marking the first step in rebuilding the palace. Old Market Square is dominated today by the leadership of Nikolai (Church of St. Nicholas), built in 1837 in neoclassical style late, the prettiest of Potsdam. The building, erected on the site of an earlier Baroque church destroyed by fire in 1795, was the last work of Karl Friedrich Schinkel, who designed the building but did not live to see it finished. What ended his disciples and Friedrich Ludwig Persius Stüler August.
The eastern part of the Market Square is dominated by the Alter Rathaus (Old Town Hall), built in 1755 by Dutch architect Johann Boumann (1706-1776). It has a feature circular tower, crowned with a golden Atlas holding the world on his shoulders. The long flag
Baroque ( Marstall ) than in the past housed the royal stables, the only building that remains of a royal residence. Data for 1714, and today houses a museum about the history and construction of the nearby Babelsberg film studio.
North of Old Market Square are the Französircherkirche (French Church) oval, built around 1750 by Boumann Huguenot community, and the Brandenburg Gate (built in 1770, and should not be confused with the Brandenburg Gate in Berlin).
"Viertel Holländisches : Another landmark of Potsdam is the Dutch Quarter, a complex of buildings that is unique in Europe, with about 150 houses built with red bricks in the Dutch style. It was built between 1733 and 1742 under the direction of Johann Boumann for Old Dutch craftsmen who had been invited to settle here by King Frederick William I in the early eighteenth century. The area comprising 134 houses with gables arranged in four groups and built with red brick and plaster ornamentation. Today, this area is one of the most visited neighborhoods Potsdam.

Alesandrowka (Potsdam)

" North of downtown is the Russian colony of Alexandrowka , a small enclave of Russian architecture (including a chapel Orthodox), built in 1826 under the direction of German architect Snethlage for a group of Russian immigrants. In 1999 the colony was declared a World Heritage Site by Unesco.
" East Alexandrowka the colony is a large park, Neuer Garten (New Garden), which was designed in 1786 in English style and consists of two palaces, one of them, the Cecilienhof Palace, was where the Potsdam Conference in July and August 1945. The Marmorpalais (Marble Palace) was built in 1789 in the style of Classicism. The residence
Cecilienhof played a brief but important role in history when in 1945 hosted the Potsdam Conference. The palace, built between 1914 and 1917, is the latest of all buildings of the Hohenzollern dynasty. Asymmetrical building is a large timber framed, with courtyards and uneven cuts, which was designed by Paul Schultze-Naumburg the style of an English manor. The palace continued
being the residence of the Hohenzollern after they lost the crown and the royal family remained in Potsdam until February 1945. Cecilienhof today houses a hotel. The beautiful and spacious park is open to the public, although the rooms used in the Potsdam Conference are closed.

Cecilienhof (Potsdam)

The Marmorpalais small palace, situated on the lake, owes its name to Silesia marble lining the facade and is a beautiful early exponent of neoclassical architecture. The main body project, commissioned Carl Gotthard Langhans by King Frederick William II, was executed between 1787 and 1791 by Carl von Gontard under the direction of Langhans.
" Another interesting area of \u200b\u200bPotsdam is Babelsberg, a suburb east of downtown, home to the UFA film studios (Babelsberg Studios), and an extensive park with some interesting buildings, including the Babelsberg Palace, a Gothic palace designed by Schinkel. The huge park film
Filmpark Babensberg (Grossbeerenstrasse) was established in the place where the first movie filmed in Germany. Since 1917, the study belonged to the Universum-Film-AG (UFA), producer of some of the films most famous of silent films, including 'Metropolis' by Fritz Lang and a few other of Greta Garbo. 'The Blue Angel, "with Marlene Dietrich, also was shot in Babelsberg, but later studies were used for Nazi propaganda film. Schloss Babenberg
The flamboyant is one of the finest works of Karl Friedrich Schinkel, who built it in 1833-1835 for Prince William (later Kaiser Wilhelm I). The irregular building, with numerous towers and viewpoints, reminds the English Gothic, Windsor Castle and Tudor style. It now houses the Museum of Prehistory.
" The Einsteinturm (Einstein Tower) (Albert-Einstein-Strasse) rose between 1920 and 1924 by architect Erich Mendelsohn in the top of Telegraphenberg. This tower is one of the finest exponents of German expressionist architecture. Its fantastic shapes show the dramatic effects that could be achieved with concrete. However, the high cost of formwork limited the use of this material to the first floor, the upper floors are of brick plastered with plaster.
"Schloss Sanssouci (in entrance in Potsdam 2 of this blog).
» Bibliography:" Germany (Visual Guides El País Aguilar) »Deutschland (Baedecker, Allianz Reiseführer)
»Links: " Potsdam (Wikipedia) "Potsdam (official website) " Potsdam (Destination Germany) "Potsdam Tourismus

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Paris Saint Germain-des-Prés / France

Saint-Germain-des-Prés in the Sixth Arrondissement of Paris, is a neighborhood around the old abbey church Saint-Germain-des-Prés. From the end
War Globally, the Faubourg Saint-Germain-des-Prés became one of the most prominent cultural and intellectual life of Paris. Philosophers, writers, actors and musicians mingled in the brasseries and night clubs (where bebop was invented and breweries where existentialist thought coexisted with American jazz. Music par excellence of Saint-Germain-des-Prés of the post- jazz reigned in so-called "caves" (caves) whose image and atmosphere characterized the Saint-Germain-des-Prés of the time. The most famous was Le Tabou, located at number 33, Rue Dauphine, where they played brothers Vian, and who visited a number of jazzmen Americans like Charlie Parker and Miles Davis.
Once past the turmoil of the post-Saint-Germain-des-Prés was also the favorite meeting place of the creators and actors of the 'nouvelle vague', in the late 50's and early 60's.
Now the area is more elegant than in times of Jean-Paul, Simone de Beaver, Juliette Greco or the directors of the same 'nouvelle vague', but still roam the place writers who enjoy the pleasure of sitting in Les Deux Magots, Café de Flore and other famous places. Seventeenth-century buildings remain, but there are obvious signs of change, such as antique shops, books and fashion.

»Buildings and places of interest:
" Boulevard St-Germain: The artery most famous Left Bank through three districts from the Ile St-Louis to the bridge Concorde. Its architecture is homogeneous because the Boulevard was another audacious achievements of urban planning of Baron Haussmann in the nineteenth century, but covers a wide range of styles from bohemian to bourgeois. From the east, past the Museum of Cluny and the Sorbonne. It is more lively from the Boulevard St-Michel to St-Germain-des-Prés, where tradition thrives cafes.
" Quai Voltaire: Voltaire Pier is now home to some of the most important antique Paris. Many famous people have lived in their beautiful houses of the eighteenth century, including Voltaire, at No. 27, and Richard Wagner, Jean Sibelius, Oscar Wilde at 19.
"Ecole Nationale Superieure des Beaux-Arts (14 rue Bonaparte) [official website ]: The main French school of Fine Arts is located at the corner of Rue Bonaparte and the Quai Malaquais. It occupies several buildings, among which the Palais des Etudes, XIX century. Many painters and architects in France and abroad have crossed the large courtyard, which contains a chapel seventeenth century, to study in the school workshops.
"Musée National Eugène Delacroix (6 rue de Füstenberg) [official website ]: The pre-eminent painter Eugène Delacroix lived and worked here from 1857 until his death in 1863. Here he painted "The Burial of Christ 'and' The Road to Calvary '(now in the museum). He also created splendid murals for the Chapel of the Holy Angels in the nearby church of St-Sulpice. The studio apartment overlooking the garden has a portrait of Georges Sand, and self-portraits and sketches by Delacroix.

'Eglise Saint-Germain des Prés (3 Place St-Germain-des-Prés): It is the oldest church in Paris, built in 542 as a basilica to house religious relics. Completed in 558 and consecrated by the Archbishop of Paris, Monsignor Germain, in the church are still the remains of his real backer, the Merovingian king Childebert I. He became a powerful Benedictine abbey. Was burned by Vikings in the ninth century, rebuilt in 1000 by Abbot Morard and enlarged in 1163 by Pope Alexander III. The French Revolution of 1789 turned it on in jail in punishment for two hundred Parisians who were killed there, and then gunpowder and munitions depot which caused much of it was destroyed by fire in 1794 destroyed their armor and much of its treasures, including his famous theological library. In the nineteenth century, architects Baltard Godde and restored it and gave it its current appearance.
It remains one of the three original towers, which is one of the oldest towers in France. The interior of the church shows an interesting mix of architectural styles with marble columns of the sixth century, a Gothic vault and Romanesque arches.
Here is buried the seventeenth century philosopher Descartes. In addition, there is a small drawing by Picasso that represent a woman's head. Placed in the corner of the square Saint-Germain at the corner of Rue Bonaparte, this picture is a tribute to the poet of the English painter friend Guillaume Apollinaire.
"Rue de l'Odeon : Opened in 1779 to improve access to the Odeon Theatre was the first street in Paris who disposed of sidewalks and still holds many eighteenth century houses. The bookstore of Sylvia Beach, the original Shakespeare & Company, was ranked number 12 between 1921 and 1940. It was a meeting place for writers like James Joyce, Ezra Pound and Ernest Hemingway.

»St-Sulpice (Place St-Sulpice): This great church was begun in 1646 and took over a century to complete. The second tallest church in the city, built in honor of St. Sulpice the Pious, which houses within it a system for determining astronomical equinoxes designed by Henry Sully.
Built on the foundations of an ancient XIII century Romanesque church, which suffered successive expansions until 1631. In 1646, Father Jean-Jacques Olier Paris ordered the construction of a new building, which extended for more than a century. The result was a plain building with two floors, with a west wing consists of two rows of elegant columns. The harmony of the towers only break of the extremes, which are not partners.
Shows simple facade with two floors of elegant columns. The arches of the windows flood the interior light. In a chapel on the right side there are murals of Eugene Delacroix as "Jacob fighting the angel 'and' Heliodorus driven from the temple '[ Learn more at Wikipedia ] .
"Other spaces in St-Germain-des-Prés : The Abbatial Palais was the residence of abbots from 1586 until the Revolution of 1789. The Rue de Buci was for centuries a major street and the scene of tennis matches royalty. Today it houses a lively market. The Café de Flore , local favorite Jean-Paul Sartre, Simone de Beauvoir and other French intellectuals. retains its art deco decor.
"" Bibliography: »France (Visual Guides El País Aguilar)
» Links and learn more: " Saint Germain-des-Prés (Wikipedia) " Eglise St-Germain-des-Prés "

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Munich: Schloss Nymphenburg v Germany

Nymphenburg Palace (Schloss Nymphenburg ), one of the baroque palaces of Europe's most beautiful, was growing from an Italian-style villa built between 1663 and 1664 to the elector Henriette Adelaide from a design by Agostino Barelli.
Built to be used as a summer residence of the Wittelsbach family, the rulers of Bavaria, the palace was dedicated to the pleasures of the goddess Flora and her nymphs, hence the name. Over the years undergone several expansions, including the construction Four pavilions designed by Joseph Effner, who directed the works since 1715. Located next to the original villa, these halls were connected by arched galleries.
with extensive gardens and a very particular provision is particularly remarkable stone hall (Steinerner Saal) in addition to the "Gallery of beauties", which displays a collection of portraits of beautiful women commissioned by Ludwig I.

»History:

To celebrate the birth of his son and heir Maximilian II Emanuel, Elector Ferdinand Maria and his wife Henriette Adelaide Savoy commissioned the architect Agostino Barelli to build his summer residence west of Munich, by the cube-shaped building in 1664. The central pavilion was completed in 1675.
In 1701 the heir of the sovereign duchies of Bavaria, Maximilian II Emanuel, led a systematic expansion of the palace. Were added two wings, one south and one north of the original palace Barelli, performed by Enrico Zuccalli and Giovanni Antonio Viscardi. Later, the southern section of the palace was extended further to form the stable. To balance was added to an orange grove north (Orangerie). Finally, it was built a large circle with mansions Baroque (the Schlossrondell) under the government of Max Emanuel's son, the future Emperor Charles VII Albert. Two of his seven children would be born in the palace, Maria Antonia (future Elector of Saxony) in 1724 and Ana Maria Josefa (future Marchioness of Baden-Baden) in 1734.
With the signing in July 1741 of the Treaty of Nymphenburg, Carlos Alberto VII made an alliance with France and Spain against Austria. For a long time, the palace was the summer residence of the rulers of Bavaria. King Maximilian I died there in 1825, and his grandson, King Ludwig II was born there in 1845. Here died the Infanta Paz de Bourbon in 1946 after residing there for many years.
Today, Nymphenburg is open to the public, yet is home and headquarters of the House of Wittelsbach.

"The palace (Schloss):

The palace, with its park, is now one of the most famous of Munich. The Steinerner Saal (Hall of Stone), with frescoes on the roof of Johann Baptist Zimmermann and François de Cuvilliés decorations, is an impressive place. Acting as a large living room, occupies three floors of the central hall of the palace.
Some rooms still show their original baroque decoration while others were subsequently redecorated en estilo rococó o neoclásico. El antiguo comedorcito del pabellón sur hoy alberga la 'Galería de Bellezas' del rey Luis I (reinó entre 1825 y 1848), con retratos de las favoritas de la corte pintados por Joseph Stieler. Entre 1827 y 1850 Stieler pintó 36 retratos, de los cuales uno (Luisa von Neubeck) se perdió. E n 1861 Joseph Stieler agregó dos más, Carlotta von Breidbach-Bürresheim y Anna Greiner . Los más conocidos son, probablemente, la 'Schöne Münchnerin' Sedlmayr Helena, una joven muniquesa de 17 años hija de un zapatero, la bailarina Lola Montez, causa de la revolución in 1848 when I Luis was forced to abdicate.
The mews house a collection of carriages that belonged to the Bavarian rulers ( Marstallmuseum ). Among the museum's main attractions are the magnificent carriages, sleigh riding and elements of King Ludwig II.
Another interesting area is the porcelain factory founded in 1747 by Franz Anton Bustelli and moved to Nymphenburg in 1761. It is one of the oldest of its kind in Europe. In another area, the Museum Mensch und Natur is dedicated to the geology and human biology.

»Schlosspark:

Nymphenburg park has approximately 800,000 m², with a marked Italian style at its inception (1671). To be expanded and renovated by Dominique Girard, a pupil of Le Nôtre, a French-style Toorn, finally to be redesigned in the early nineteenth century by Friedrich Ludwig von Sckell in English style. Preserved the main elements of the baroque gardens, such as the great parterre. The park is cut in two by a canal along the axis leading from the palace to the cascade of marble (decorated with stone figures of Greek gods) in the west. There are two lakes situated on both sides of the channel. The Dörfchen ('Small Towns'), was created under the reign of Maximilian III in the likeness of Queen Village. The Salettl (1799), a cottage with a small garden near the old game reserve and served as an attraction for the children of Maximilian IV.
within the park were built several pavilions:
- Amalienburg : A rococo hunting lodge built between 1734 and 1739 by François de Cuvilliés to Charles VII and his wife Maria Amelia of Austria. Includes a hall of mirrors and a hunting dog kennel. The construction and decoration is a masterpiece of European Rococo.
- Pagodenburg (1716-1719): its octagonal shape, is formed by two pavilions fairytale with Delft tile decorations on the first floor and Chinoiserie first in the second. It was built by Joseph Effner.
- Badenburg (1719-1721): Baroque pavilion built by Effner also has a large banquet hall and a large tiled bathroom. Some rooms are decorated with Chinese wallpaper.
- Magdalenenklause (1725-1728): After a life of excess, Maximilian Emmanuel commissioned the construction of the chapel to pray and meditate.
- Lackkabinet : This little study of the seventeenth century its name from Chinese lacquered panels of black and red. It is presented in Pagodenburg.
- Monopteros : Leo von neoclassical Temple Klenze, built between 1862 and 1865.
the north of the great parterre is the huge Munich Botanical Garden.
» text Sources: " Nymphenburg Palace (Wikipedia) " Germany (Visual Guides El País Aguilar)
» Links: " official website (1) 'official Web (2) " Nymphenburg Palace (German Guide) " Schloss Nymphenburg

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I know it does not climb much recipe but now that I can finish this semester to spend more time in the kitchen, so here is another recipe. This is for Peanut butter blondies.
The blondies are like brownies but vanilla, personally I like more because the chocolate is not my favorite so a blondie is the perfect dessert for me. The best part is that this recipe is peanut butter, which is one of my favorite ingredients.

I hope you enjoy this super easy. Peanut butter blondies

:

3 / 4 cups peanut butter
1 / 3 cup oil 1 cup sugar

1 / 4 cup soy milk
2 teaspoons vanilla extract 1 cup flour

1 / 4 teaspoon salt
1 / 2 teaspoon baking powder
1 / 4 cup peanuts (optional)
1 / 3 cup chocolate chips (optional)

Preheat oven to 162C.

In a bowl mix the peanut butter, oil and sugar. Add vanilla, soy milk, flour, salt and baking powder. Add the peanuts and chocolate chips if you want. Seem that the mixture is very thick so if necessary add 2 tablespoons soy milk, you want the mixture is similar to that of a brownie.

Bake for 25 minutes. Seem that even this mild, but as it cools it will become harder and do not worry.

I like to play with this recipe and sometimes I put coconut or whatever you have in the house, so you can alter to your tastes.

Thanks! Soon begin recipes for Christmas .... Hello

Lotion Cervical Mucus Creamy

FCC Conference

guys!
writing to invite you to the conference I will be working at the Faculty of Communication Sciences at the UANL this Thursday 11 November. Be in the new auditorium of the college. The conference will be at 10am, I hope you can join us.

Cool Down A Scorpio Man

Milan: Brera district / Italy

The name of the Brera district , the bohemian neighborhood of Milan, derived from the Germanic word 'braida' grassy area. Abarca Via Brera, Via Solferino, Via Pontaccio, Corso Garibaldi and Corso Como is surrounded by imposing buildings of the eighteenth century, highlighting the Palazzo di Brera, Corso Como, which houses the world famous art gallery and the Accademia di Belle Arti, This has contributed to increase the animation of the area, reinforced by the numerous outdoor cafes, plenty of exclusive shops, bars, restaurants and four churches with its peculiarities: San Simpliciano, San Marco, Il Carmine and L'Incoronata. Nearby is also the Piccolo Teatro di Milano.
Brera is a neighborhood rich in history, art and culture, always admired and chosen by the artists, who recalls a former Milan and authentic.

»Buildings and places of interest:
" Pinacoteca di Brera (Via Brera 28) ; [ official Web ]: The main museum of Milan and one of the largest in the world for its prestigious collections of ancient and modern painting of great masters of the thirteenth to the twentieth centuries. You can admire masterpieces such as a 'San Francisco 'El Greco, the' Last Supper 'by Rubens, two portraits of ladies of Van Dyck and Rembrandt, the "Dead Christ" by Mantegna or a' St. Jerome 'in the last years of Tiziano, plus a collection of out-standing Italian painting: Piero della Francesca ('Montefeltro Altarpiece'), Rafael ('Marriage of the Virgin'), Tintoretto ('Finding the body of San Marcos'), Caravaggio, Francesco Hayez (' The Kiss', a patriotic and sentimental work that exemplifies the optimism that prevailed after the unification of Italy), Amadeo Modigliani ("Portrait of Moise Kisling')... The huge art collection is distributed in 31 rooms located on the first floor and arranged geographically and chronologically, for regional schools.
The gallery is housed in a palace of the XVI and XVII centuries, built for the Jesuits in the place where the monastery of Santa Maria de Brera Humillati. The Jesuits turned it into a cultural center, founded a prestigious school, a library and an astronomical observatory, activities with the blessing of the empress Empress Maria Theresa of Austria, who founded the Accademia di Belli Arti after the abolition of the Jesuit order in 1773. Later, Napoleon wide place to turn it into an artistic space worthy of the emperor. At this time, Milan had become the capital of the empire and Napoleon wanted to exhibit at the Gallery the most significant works of the conquered territories.
Since 1882, the Gallery was completely separated from the Academy of Fine Arts and began his solo career on the path of art. Although during the First and Second World War, the works had to be evacuated to protect them, continued for years to the arts came to constitute the Association of Friends of Brera.
The bombings of the Second World War severely damaged the Brera Palace building, after its reconstruction, reopened its doors in 1950 in the hands of Italian architect Pietro Portaluppi. From that date, highlighted by the 70, the generous donation of Emilio and Maria Jesi (room 10), including important pieces of Novecento. Later, the current collection is completed with part of the works of Lambert and Vitali America, donated in 2001.
"Palazzo Cusani (Via Brera, 15): The sixteenth century palace was rebuilt in 1719 by Giovanni Ruggeri, autor de la fachada barroca, con sus elaboradas ventanas y sus balcones. La fachada neoclásica que da al jardín es obra de Piermanini. Según la tradición, los hermanos Cusani mandaron construir dos entradas iguales para tener cada uno acceso independiente al palacio. En la sala de estar hay un fresco alegórico al estilo de Tiepolo (1740). El palacio fue la sede del Ministerio de la Guerra en el siglo XIX.

» San Marco (Piazza San Marco, 2) [ Saber más , en italiano ]: El monje agustino Lanfrnaco Settala comenzó la construcción de esta iglesia en 1254. Fue dedicada a San Marcos, pattern of Venice, the Venetians to thank her help in the fight against Frederick Barbarossa. The structure did not change significantly until the seventeenth century when the church became the general house of the Augustinian Order. In 1871, Carlo Maciachini built a new neo-Gothic facade around the ogival and the tabernacle door of the school campionesa. The XIV century bell tower has been restored and completed in 1885.
The church has a Latin cross with nine chapels patrician, which were added in the nave of the right between the fourteenth and nineteenth centuries, including some of Paolo Lomazzo. In the transept on the right is the 'Foundation of the Order of St. Augustine' Fiammenghino the brothers, the sarcophagus of Settala (1317-1349), Giovanni Balducci, and fragments of Gothic frescoes found during the restoration of 1956.El \u200b\u200bchancel is decorated with large paintings by Camillo Procaccini and Cerano that tell the legend St. Augustine, 'The pedigree of the Order' (seventeenth century) of Genovesino, who also painted the 'Backs of Angels' at the top. The cruiser left leads to the chapel of the Pietà, where a 'Via Crucis' by Ercole Procaccini. The ship has left paintings Camillo Procaccini and Palma il Giovane, and a fresh school of Leonardo da Vinci discovered in 1975. From outside are the Romanesque transept and the bell tower of the thirteenth century.

»Santa Maria del Carmine (Piazza del Carmine, 2) [official website ]: The Church of Santa Maria del Carmen was erected in 1447 by order Gian Galeazzo Visconti and designed by architect Bernardo da Venezia, on a Gothic Romanesque church brown, and later rebuilt in Baroque style, but the present facade by Carlo Maciachini is 1880. The spacious interior has three naves and vault. In the right transept retains some of the grave Angelo Simonetta ducal counselor, on which there are two pictures of Carlo Francesco Nuvolone and Fiammenghino, the cruise front is decorated with a picture of Camillo Landriani.
statues wooden choir (1579-1585) are the original plaster model for the needles of the Duomo by nineteenth century artists. The Capella del Rosario, built to the right of the choir (1673) by Gerolamo Quadrio, is covered in marble and decorated with paintings by Camillo Procaccini describing 'The Legend of Mary'. To the left of the church is the cloister, with traces of noble and ancient burial tombs and Baroque sacristy furniture made by Quadrio in 1692.

»San Simpliciano (Piazza San Simpliciano, 7) [official website ]: The present church site was occupied in the third century by a pagan cemetery. Here in the fourth century, St. Ambrose began the construction of Virginum Basilica (Basilica of the Virgin "), which was completed by his successor Simplicianus at 401, who was buried here. A brick with the mark of the Lombard king Agilulf shows that the repairs were made between 590 and 615. In the ninth century, the Benedictines of Cluny took possession of the Church. In 1176 the church became famous when, according to legend, the bodies of the martyrs hosted here as pigeons flew to the field of Legnano, landing in Carroccio as a sign of impending victory against the army of Frederick Barbarossa. In 1517 it was acquired by the Benedictines of Montecassino, who remained here until 1798, when the convent was secularized and for a time it became the headquarters. The dome and the side wings were modified in 1582. Other interventions were carried out in the nineteenth century, while the facade was remade in 1870 by Maciachini. Added windows depicting episodes from the Battle of Legnano in 1927.
On the facade, the arches that overcoming the gates indicate the presence of an ancient gateway, now disappeared. The top, the most altered in the nineteenth century, has two windows in the center mullion, mullioned window triple top and decorative arches. Mullioned windows late Renaissance also decorate the bell.
The interior has a Latin cross with a nave and two aisles. The transept is divided into two side chapels laterales.Las decorations are different times, from the Renaissance to the Baroque, through the rococo and neoclassical. In the right transept there is a painting by Alessandro Varotari (Il Padovanino) representing the defeat of the Cammolesi. The neoclassical altar covers the wooden choir (1588) and both sides are the pedestals for the organ, with frescoes by Aurelio Luini (XVI century). The vault of the apse is decorated with what is considered the masterpiece of Ambrogio da Fossano, a wide 'Coronation of Mary'. The western wall of the transept has a 'Marriage of the Virgin' by Camillo Procaccini.

" Sant'Angelo (Piazza Sant 'Angelo, 2): Built in 1552 by Domenico Giunti to replace the old Franciscan church just outside of Porta Nuova, which had been demolished to build the English wall, Sant 'Angelo is a prime example of sixteenth-century Milanese architecture. The nave is separated from the chancel by a triumphal arch with the "Assumption of Mary 'by Legnanino (siglo XVII). In the chapels there are many pictures of the XVI and XVII. In the first of the right are works of Antonio Campi in 1584 and a copy of the 'Martyrdom of Saint Catherine of Alexandria' Gaudenzio Ferrari (the original is in the Pinacoteca di Brera), the second is the 'San Carlos in glory 'of Morazzone, and the apse of' Legend of the Virgin 'by Procaccini.
»Santa Maria Incoronata (Corso Garibaldi, 116): This church is composed of two buildings Guiniforte Solari, joined in 1468. On the left was built Francesco Sforza in 1451 and one for his wife shortly thereafter. The brick façade is double, as the ship, which has two apses with frescoes from the XV and XVII. In the chapels of the right are plaques commemorating the Sforza courtiers. In opposite chapels and frescoes of Bernardino Zenale Montalto (who is credited with the first chapel).
"" Bibliography: 'Milan and the lakes' (El País Aguilar Visual Guides). Various tourist brochures.
»» Other links: "Brera district " Brera district (on Italy) "Absolut Milan " Monuments in Milan »Milan (Wikipedia) " About Milan »Milan Museums

For Sale Airforce Condor

hug a vegetarian day preparatory conference & Vegan Pancakes Basic

Hello! Today

share with you some pictures of very active we have been doing here in Nuevo León.
The first images are of Hug a vegetarian day at the UANL. Estubo very, very funny, even had a chicken suit everyone loved.






The latter images are of a talk I gave in high school 22 on veganism. Estubo very, very cool. The youth of this preparation are amazing and super motivated to help animals.







Thanks! Visit peta2.com

Remember, animals need your voice.

Denise Milani Real Or Fake

Paris Trocadéro Square Area / France

The Place du Trocadéro , with its beautiful gardens, is located in the sixteenth arrondissement of Paris, beside the River Seine. It was created for the Universal Exhibition of 1937 in place of the old gardens Trocadéro Palace, a Moorish palace, designed by Jean-Charles Alphand, built for the Universal Exhibition in Paris in 1878.
The square is known for its famous fountain of Warsaw (1937), an architect Roger-Henri Expert. It contains a lot of sculptures of the 1930's, as 'Man' of Traverse and 'Woman' by Braque. The name of the plaza commemorates the Battle of Trocadero, which took place in the eponymous island located in the Bay of Cadiz.
The square is bounded by the Palais de Chaillot, which houses four museums and a theater: Musée de l'Homme, Musée de la Marine, Cité de l'Architecture et du Musée du Heritage and Ciné Henri Langlois, the headquarters of the Cinematheque Francaise. Nearby are
meet the Musées Guimet d'Art Moderne de la Ville de Paris, Quai Galliera and Brandy and, above all, the Eiffel Tower and Champ-de-Mars.

»Buildings and places of interest:
" Jardins du Trocadéro : These beautiful gardens cover 10 hectares. Its centerpiece is a long rectangular ornamental pond, surrounded by stone and bronze statues of gold, and with a beautiful nighttime lighting. Among the statues are 'Woman' by Georges Braque and the 'Horse' by Georges Lucien Guyot. On both sides of the pond, the slopes of the hill of Chaillot lead smoothly to the Seine and the bridge d'Iena.
There is a freshwater aquarium in the northwest corner of the gardens, artistically drawn with trees, avenues, small streams and bridges. Punctuated by a multitude of sculptures on either side of the power extend two gardens in the English "where a large amount of lime, chestnut, beech and other species.
'Palais de Chaillot (17, Place du Trocadéro): Built in neoclassical style for the Universal Exhibition of 1937 by the architect Léon Azéma, Jacques Carlu, Louis-Auguste Boileau, instead of the old Palais du Trocadéro Square. The Palais de Chaillot consists of two curved wings that come together in a plaza surrounding a large central square (the 'parvis''), flanked by bronze statues and fountains overlooking the Seine, to which descend the Trocadéro Gardens. It is decorated with sculptures and bas-reliefs and on the walls of the halls are inscribed with words of Valéry. The palace
General Assembly of the United Nations adopted the Universal Declaration of Human Rights on December 10, 1948.
On the hill of Chaillot Catherine de Medicis had built in the sixteenth century a second home that was later acquired by quarterback Bassompière, then sent prisoner to the Bastille by Richelieu. In 1651, the Queen of England bought the palace to convert into a convent, where many famous ladies of the time they made their retreat. The convent was destroyed by Napoleon, who wanted to build on the site a palace for his son, then King of Rome. With the fall of their empire the idea did not materialize.
for the Universal Exhibition of 1878, Louis XVIII had built a Moorish-inspired palace, which they named Trocadéro in commemoration of the capture of the fortress of Cadiz by the French in 1823.
not without much controversy, this palace was partially demolished and rebuilt for the Universal Exhibition 1937, resulting in the Palace of Chaillot.

In the palace are based on Chaillot National Theatre, where we find representations of all eras and genres of theater and four museums:
- Musée de l'Homme : The Museum of Man in the west wing, created in 1938, offers a tour of geographical areas, where art, culture and techniques of each people are addressed through anthropology and ethnology. The first floor deals with aspects of anthropology, paleontology and prehistory. The following galleries address the cultural area: Africa Black (masks, carvings), White Africa (Islam) and Europe, except France, whose collection is housed in the Museum of Arts and Popular Traditions in the Bois de Boulogne. The second floor is dedicated to Arctic peoples, Asian, American (Aztec and Mayan art) and Oceania. The section devoted to music showcases more than 400 instruments from different cultures.
- Musée de la Marine : The Maritime Museum, also in the West Wing, created in 1827 and moved to the Palais de Chaillot in 1938, displays an impressive collection of ship models assembled since 1748 by an inspector general Navy, paintings and objects evoking the history of navigation and related activities with the sea.
- Cité de l'Architecture et du Heritage: The City of Architecture and Heritage, was formerly the Museum of French Monuments, occupies the east wing and features reproductions of wall paintings and architectural models and molds sculptures that allow visitors to understand the evolution of these activities from the nineteenth century Roman style. Among the highlights of Chartres models and a reconstruction of an apartment designed by Le Corbusier.
- Musée du Ciné Henri Langlois: The headquarters of the Cinematheque Francaise.

"Musée Guimet (6 Place d'Iena) [official website ]: In discussing the arts of the Far East, became one of the first museums of Asian art in the world. Originally installed in Lyon by the industrial and Orientalist Emile Guimet, he moved to Paris in 1884. It has a research center in Asia.
civilizations and religions of Asia are well represented, with a collection of sculptures, paintings and fabrics that make you go Japan to Pakistan since the second millennium BC to the nineteenth century. Throughout the exhibition halls, lacquered or gold Buddhas reveal their wealth in an atmosphere quiet, enhanced by natural light. It has the best collection of art Cambodian (Khmer) in the West.
"Musée Galliera (10 Av Pierre I of Serbia) [official website ]: Dedicated to the evolution of fashion, the museum called Musee de la Mode et du Costume, occupies palace built for the Duchess Maria de Ferrari Galliera in 1892. The museum, installed in 1977, relive the history of the prestigious fashion exhibitions allow the public to find a fund of one hundred thousand pieces, from the sumptuous costumes of the eighteenth century through the works of the great couturiers and designers today.
has received donaciones de personas tan conocidos como la baronesa Elena de Rothschild y la princesa Gracia de Mónaco. Eminentes modistos como Balmain y Balenciaga han donado sus diseños al museo.  
» Musée d'Art Moderne de la Ville de Paris (Palais du Tokyo, 11 Av. du President-Wilson) [ Web oficial ]: La primera obra que vemos en el museo, el gigantesco mural 'El hada electricidad' de Raoul Dufy, creado para la Feria Universal de 1937, marca el tono del museo: alabar la historia abriéndose a la modernidad. El museo reconstruye el arte del siglo XX a través de sus diferentes corrientes artísticas ilustradas por las obras de los mejores artistas de la time as Matisse, Fernand Leger and Modigliani. It also explores new trends in contemporary art in all its various media: painting, sculpture, installations, photography and video. The museum is 'The Dance' by Matisse and also exposes an interesting collection of art deco furniture.

"Musée du Quai Branly (37 Quai Branly) [official website ] [Learn more Wikipedia ]: The Quai Branly Museum (Musée du quai Branly) is a French ethnological museum, also named First Museum Art or Museum of Arts and Civilizations of Africa, Asia, Oceania and the Americas (non-western). It is dedicated to ancient civilizations and cultures of Africa, Oceania, Asia and America. From a collection of 300,000 objects, pieces abound African masks made of stone, wood and ivory, and ceremonial objects.
The building, designed by Jean Nouvel, worth a visit itself. The clever use of glass allows you to incorporate the environment as a backdrop to the exhibition, with its wall of 800 m² plant, its architecture on stilts and imposing yellow and orange buckets.
" Champ-de-Mars : The vast gardens that extend from the Eiffel Tower to the Military Academy (École Militaire) was originally a playground for the young cadets stop officers. Later the area was used for horse races, balloon ascensions and mass ceremonies to celebrate the anniversary of the Revolution, on 14 July. The first ceremony was held in 1790 in the presence of a contrite and captive Louis XIV.
During the nineteenth century giant exhibitions held here, including the 1889 World Fair, for which the Eiffel Tower was built.

" Eiffel Tower (Champ de Mars-Tour Eiffel) [official website ] [Learn more Wikipedia ]: The Eiffel Tower was built for the Universal Exhibition of 1889 to be held in commemoration of the centenary of the French Revolution. The French engineer Gustave Eiffel and his company were the entrepreneurs of such a project that began in 1887 was completed in March 1889, just over two years later. The work generated no little controversy, especially among artists of the time, who thought of the tower as an "iron monster" in the middle of the city of romance.
The tower is a huge metal structure that weighs 10,000 tons and its height was originally 300 meters, 324 meters is now including radio and television antenna that was added much later. Employ some 200 workers who joined more than 18,000 pieces of iron with 2 ½ million bolts. The foundation reach 30 meters, due to the proximity to the river and the nature of the subsoil.
Consisting of three levels, you can access the first two by a staircase of 1665 steps. At the first level, 57 feet high, running a post office, where you can send postcards with the special stamp "Paris Tour Eiffel," the restaurant "Altitude 95", a souvenir shop, room receptions and conferences "Gustave Eiffel", the Cineiffel, exhibitions with photos of the tower, and of course the gallery from which you can take panoramic pictures of Paris.
The second level is 115 meters above the ground and from there take the elevator part of the third level. There are a few souvenir shops, restaurant Jules Verne and above all, the views of the city are spectacular.

to 276 meters, after rising 160 meters in the elevator reached the third level, where the views are absolutely extraordinary. At this level there is a recreation of workplace Gustave Eiffel, with wax figures Eiffel y su hija Claire recibiendo al inventor Thomas Edison, así como de Gustave Eiffel y sus dos ingenieros, Maurice Koechlin y Emile Nouguier.
Cuando se autorizó la construcción de la torre, Gustave Eiffel debía emprender el proyecto con sus propios fondos y el gobierno de la ciudad le permitiría la explotación de la torre durante el término de 20 años, transcurridos los cuales la torre pasaría a formar parte del patrimonio de París. La obra fue un éxito el primer año, pero los siguientes no fueron mejores, ni siquiera iguales al primero.
El destino de la torre al cabo de 20 años parecía no ser otro que la destrucción. Fue por eso que Eiffel hizo hincapié en las grandes ventajas científicas a construction of this type could contribute (to the construction of the Chrysler Building in New York in 1930 the tower was the tallest building in the world) and had installed a weather station at the top and, later, a telegraph antenna, whose benefits were highly tested at the military level. Thus saved Eiffel tower. From 1921 he began to broadcast radio and television time arrived.
only from the 60's becomes a tourist attraction with the influx of international audiences. Of all the monuments of Paris, one can say that the Eiffel Tower is one of the few that remain far from immutable over time evolves and innovates, is to change the color of the paint, either with lighting effects. When opened to the public in May 1889 visited until the end of year two million people.
»Main Source text: " Trocadéro (World City) " Eiffel Tower (World City)
" "Bibliography: » France (Visual Guides El País Aguilar)

Sipping Water Dries The Mouth

Marken (Holland)

20 km away from Amsterdam, Marken is a fishing village against Volendam on an island in the inland lake IJsselmeer. Until 1957 was only 2.5 km from the coast. Today is joined by a dam on which runs a road, considered a peninsula, located in the municipality of Waterland in the province of North Holland. Part of national heritage, besides being a renowned tourist resort.
From the Middle Ages, Marken has lost about a third of its total area. In the area east of the island, under water, they are still remains of a medieval cloister which was devastated by the waves.
Its inhabitants speak a dialect own and, even today, still wearing their Dutch costumes. This, together with the typical architecture of wooden houses painted in green and black hills and built on stilts, the narrow streets, its harbor and peaceful atmosphere, makes a lovely place Marken own past.

Marken is one of the places to be missed for the traveler to Amsterdam. Mostly devoted to fishing, consists of two core features painted wooden houses typical of the Dutch region, most built in the fifteenth century. Upon arrival surprised us both tranquility in this area as the large number of beautiful homes (many of them considered national monuments), the beautiful windmills, and his close port involved in a purely marine environment. This beautiful town is possibly the most traditional village in the Netherlands.
Originally, the monks of Friesland settled on the island in the thirteenth century. Their main livelihood were agriculture and livestock. To protect from water, dikes were built around the island, setting houses on the highest points. Marken residents turned to fishing from the fourteenth century until the construction of Afsluitdijk in 1932 that marked the end of this source of income and changed the way of life of many communities in the Netherlands.
For more than a century old fishing village became a major tourist attraction, focusing on items such as costumes and features wooden houses on stilts.

In Marken we find a landscape developed over the remains of "Goudriaankanaal, built between 1826 and 1828, and which was never put into operation. Today is essentially a residential area divided into different settlements: Grootewerf, Havenbuurt, Kerkbuurt, Moeniswerf, Rozewerf and Wittewerf.

"" Of interest in Marken:

»Marken Museum (Kerkbuurt 44): Located on four ancient fishermen's cottages, where smoked eel and herring permanent exhibition offers a detailed overview of the history of island and many everyday objects. In it, we can see what life was like a fisherman of the population at different times until 1932. The museum houses that have retained their original structure and are decorated with furniture of that time, the symbol of the transition from local fishing community to resort.
The museum has major collections, which we will find prints, paintings, antique furniture, paintings and Jan Reiner Moenis Peijnenburg, and an extensive collection of traditional clothes. The museum is equipped with an interesting audio-visual presentation on the history of Marken and his peculiar costume.
"Havenbuurt, 21 : Homes fishermen to appreciate the narrowness of the houses, all kept the same structure and small dimensions.
"Paard van Marken Lighthouse : Designed by Valk, dates from 1839. It has a large tower some 16 meters high. This tower was a beacon square in 1700, but years later it was rebuilt by giving its characteristic shape. Today the lighthouse is occupied, but since 1970 has been declared a national monument.
"clog factory.
"Irene Hoeve Farm.
"" Bibliography and sources: " Amsterdam and surroundings (The Visual Guides Country Aguilar) " Marken (Holland America) " Marken (Visit Amsterdam)
"" Links: " Amsterdam Tourism "Marken (Wikipedia) " Marken